I was chatting on a writers’ Facebook group and this question was asked: how many points of view have you used in a novel?
I used several in my most recent novel Ever Rest. Seven, actually. (Splutters in the group. And they were right; it was tricky to do.)
I didn’t plan that way at first. I imagined the novel would be one point of view. Then I wrote a scene where my viewpoint guy had an awkward meeting with another character, and the air was seething with unfinished business. I couldn’t do justice to it if I stayed only with him.
So I wrote her side.
I resisted at first. It seemed a waste of time because it wouldn’t be used. It couldn’t be; Ever Rest was not her book. I hadn’t inhabited her life in the way I had inhabited his. I knew his childhood. I didn’t…
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